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The Antlers were one of 2009's great success stories. Not only did they create one of the year's most emotionally powerful albums, they also toured their asses off promoting it. But despite only releasing Hospice last year, The Antlers have already spent a fair amount of time in their new studio writing and recording music for future releases. Somewhere in between his busy schedule of recording and touring (this time a coast-to-coast trek with UK band Editors), Antlers’ drummer Michael Lerner was able to speak with Inyourspeakers at length regarding the band's past and future. In the interview, Michael elaborated on the origins and inner-workings of the band, discussed the enjoyment present in translating the nuances of Hospice to The Antlers' live show, and teases fans with the possibility of more than one new Antlers release coming in the near future.

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Ah, Minus the Bear, that pinnacle of indie rock prowess. For nearly a decade now, this cornerstone independent act has put out record after record of meticulously-composed, self-described “classic rock” to great effect. These days, it seems like anyone with even the slightest interest in contemporary music knows who Minus the Bear is. Of course, with a sound as unique, yet appealing as theirs, it’s difficult not to pick up on this Seattle-based quintet In short, Minus the Bear have had the sort of success that most independent musicians can dream of.

However, over the course of the past year, the winds of change have started to blow in Minus the Bear’s direction. With indie rock on the verge of complete classificatory breakdown, and four similarly composed records behind them, this collective of 30-year-old musicians have recently found themselves questioning their artistic paths.

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YACHT, the electro-pop group whose 2009 album, See Mystery Lights, garnered significant critical acclaim, spoke recently with Inyourspeakers about everything ranging from Kurt Cobain to vegan crepes, and even a little about karate drums. Oh, and the Oregonian duo also shared their thoughts concerning the current state and flux of the recording industry, their mission as live entertainers, and the ups and downs of the Free Music age.

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On Saturday evening, Troy, NY was treated to the wonderful sonic meanderings of Dan Deacon and Extra Life. While Deacon, who was forced to cancel a show at RPI's EMPAC a few months prior due to a case of acute sciatica, turned up for the concert this time around, his tour-mates, the Baltimore-based Nuclear Power Pants, didn't, presumably due to snowpocalypse2010. Luckily for everyone who attended, the half-contemporary-classical, half-indie-rock Extra Life was able to fill in for NPP in quite the grand fashion.

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In the world of the twenty-something’s night-life scene, DJs are about as ubiquitous as Urban Outfitters at a hipster house party. And just like hipsters, most of these so-called DJs are total posers whose musical talent is akin to that of an ipod shuffle. Fortunately, in the house scene, the cream of the crop tends to rise towards the top, rewarding DJs who work their own remixes and productions to the point that people actually show some interest.

After five years of hard work, the ambitious producer/DJ Matthew Burns (aka BURNS) has finally begun to attract some serious attention. With over twenty remixes, a handful of EPs and recent tour with Deadmau5 under his belt, BURNS’ name has been popping up in all sorts of places, with consistent mentions in blog-land and on the Hype Machine. We took a particular interest in BURNS’ work, in major part because of its production aesthetic; put simply, this Scottish producer has a sound all of his own. As we suspected, Matthew Burns is quite the individual, drumming to his own beat in musical production, and elsewhere. Read on for the interview, a gallery, and a few tracks to familiarize yourself with BURNS.

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With a name like Family of the Year, you can’t help but wonder what the sextet from Silverlake, California are really about. Are they cousins? Are they all dating each other? (Hopefully not both.) What’s the deal? Well, some of them are brothers, but there’s more to this band than just their quirky stage name. With an EP and their 2009 debut, Songbook, under their belt, these West Coast hipsters are moving through the indie realm at record speed, kicking ass along the way, and capturing the hearts of new fans at every turn. Sebastian Keefe, drummer and occasional guitarist for the group, took the time out to speak candidly to Inyourspeakers about Family of the Year’s seemingly sudden appearance on the music radar, the influence of Bob Dylan and Nine Inch Nails, and Rosie, the group’s home away from home. More on the self-described “folk-acoustic power pop” group after the jump.

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From Omaha, Nebraska’s fertile creative soil spring forth the famously awesome scene’s next platoon of punk, Capgun Coup—a raucous, energetic bunch of youngsters out to prove to the world that they can throw down with the best. Or prove to the world that they suck. Or prove to the world that they’re just a bunch of garage-punk rockers out to have a good time and make some noise. In the truest spirit of punk, this is what makes Capgun Coup so irresistible: ultimately, they just don’t give a shit. The band is based around a history rife with tight bonds of friendship, drinking, debauchery, and loud, noisy house shows—pleasing a specific audience is the least of their worries. The music the band makes reflects these sentiments and more. When frustration gets fun and self-respect leaves any sort of vanity or conscience at the door, the world gets Capgun Coup.

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Albany octet Sgt. Dunbar and the Hobo Banned have just finished their biggest year yet. Despite their shows at SXSW, CMJ Fest, and attention from NPR and Metroland, the group is still working hard and waiting for an official email announcing “we’ve made it.”

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Earlier this month, we got a chance to talk to Steve Schiltz, guitarist and singer of indie rock powerhouse, Longwave, and now, the mastermind behind Hurricane Bells, his new solo project. A perfect gentleman, humorous and a pleasure to talk to, Steve answered all of our questions with poignant, thoughtful answers, showing glimmers of his burning intelligence and explosive creativity through the slats of conversation. Steve is a wonderful musician, and also the type of guy you’d like to buy a beer, and have a real conversation with. Read on for the full interview which focuses on his spot on the Twilight soundtrack, switching from a high-powered rock band to a project with a much more folky feel, and what lies in store for the coming months.

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“I never consider what I do to be expressionistic music.”

Catching Ben Frost in the states is a tricky thing to do. The Australian native, who recently made his home in Iceland, has spent the year touring with Nico Muhly and Sam Amidon across Europe and scoring arrangements for Australian dance companies. When not on the road, Frost could be found holed up in the esteemed Greenhouse Recording Studio in Reykjavic recording his 2009 masterpiece By The Throat. So, when word got out that Ben Frost would be in New Jersey to premiere a dance piece at BAM a couple weeks ago, we jumped at the chance to interview him. During the course of the conversation, we shared thoughts on the return to composing pieces on the piano and double bass, his roots as a classically trained musician, and the interplay between hyper-accesible means of artistic production and painstakingly crafted works of art.

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